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"Attack the Block" declared Next Big Thing

Twitter has EXPLODED with Los Angeles area film geeks gushing over "Attack the Block," the British ghetto-kids versus aliens actioner that blew up at SXSW. Here's the trailer, in case you missed it before:



The movie-nerd buzz for this is now SO enthusiastic that you can actually FEEL Michael Bay's America gearing up to completely ignore it if and when it's released ;(

Nimoy is in "Transformers" (again)

Leonard Nimoy will be voicing one of the robots in "Transformers: Dark of The Moon." In addition to having previously voiced Galvatron in the original animated movie and being a living, breathing fanboy-reference in and of himself; Nimoy is Michael Bay's cousin and previously worked with writers Orci and Kurtzman on the "Star Trek" reboot. So... about four or five levels of reference/in-joke/shout-out casting right here.

In any case, he's voicing "Sentinel Prime," the bearded "old man" Autobot you saw in the TF3 teaser trailer. Supposedly he's Optimus' "father" (how does that work?) in this version, and his vehicle form is a firetruck. I didn't know they made pimped-out, douche-appeal "custom" firetrucks; though I'm sure Bay and company will find a way. I'm hoping that Optimus - in a hugely-unlikely coincidence - stumbles on him living in a cave, where he explains that he's actually from an alternate universe and that his being here is what's responsible for ALL of the hugely-unlikely coincidences, gigantic plot-holes and generally shitty writing up to this point...

Understanding "Superman"

(This gets a little loooooong, so hit the jump if you want to read it)
...So! The new guy in charge of Warner Bros. said that he wants a "Justice League" movie, surprising nobody, and that the studio firmly intends to keep making "Batman" movies even after the current Christopher Nolan-helmed version of the franchise ends next year - ALSO not a huge surprise.

Everyone knew that Team nolan was zealously opposed to broader DC-Universe weirdness seeping into their hyper-realistic vision of Batman (it's widely believed that Nolan's extreme displeasure at having "another" Batman conflicting with "his" helped scuttle George Miller's in-production "JLA: Mortal" movie back 2007); but everyone also knew that Warners/DC was going to be champing at the bit to pull the trigger on "Justice League" as Marvel Studios "Avengers" got closer to reality; and with "Green Lantern" and a new "Superman" both on the way people were connecting the logical dots...

...and then Zack Snyder, director of the soon-to-lens "Superman" movie, "clarified" that despite the timing, HIS "Man of Steel" was still being set up as it's own seperate thing a'la Nolan's Batman - if Superman appears in "League," he'll be a different guy. Confused? Let me throw some light educated-conjecture on it for you...

Here's the #1, all-important, explains-it-all Rosetta Stone for understanding EVERY SINGLE DAMN THING you will hear or read the studio, filmmakers and P.R. people say about "Superman" from now until the day it comes out: WARNER BROS. IS ONLY MAKING *THIS* MOVIE BECAUSE THEY HAVE TO.

That's not to say that they don't want to make Superman movies EVER - though it's been obvious for more than a little while that the folks in charge of the WB greenlight don't really have a burning desire to be in the superhero business - but the reason they're making this one right now, with a script that was still being finished at the time it was announced (and is allegedly still being "worked on) and with a presuambly expensive fanboy-proof-shield in the form of Christopher Nolan's "producer" credit is because they are staring down the barrel of a gun: If they don't make a "Superman" movie NOW, they risk losing a shit-ton of money in the near future. (This is also probably why Snyder, well-regarded among the Warner suits for his skill at bringing genre films under budget and on an efficient schedule, got the offer.)

Short Version: For the last few DECADES, Warners/DC has been in a legendarily-contentious ongoing legal battle with lawyers representing the estates of Seigel and Schuster, the original creators of Superman, over the rights to both the character himself and also various portions of the mythos (re: Lois Lane, Daily Planet, Krypton, etc.) Though Warners has recently set up a legal stalling-tactic, right now they're playing defense: Back in 2009, it was determined that WB had to get a Superman movie into production by this year (2011) or they'd owe subsantial fees to the creators' estates - hence their urgent desire to get this thing going. And even then, in 2013 they stand to lose between half and ALL rights to the character, and will have to renegotiate the whole bloody thing.

In other words, they're rushing to make "Superman" because they have no choice, and they're not going to tie it in to anything else because it's still "up in the air" as to how much (if any) of him they'll still be able to use afterwards. Notice you aren't hearing about any of the actors signing on for the new movie singing any contracts for sequels, for example...

Meanwhile, have you noticed that NO ONE on either the fan or filmmaker side is even raising the issue of the "Green Lantern" movie? Granted, that's mostly an indicator of how far the lackluster trailer and promotion has blown it off the pop-culture radar... but y'know what's interesting? "Lantern" was supposed to be WB's first toe-dip into continuity-land back before they (briefly, it would seem) backed-off from that course: A cameo by a major non-GL DC character got cut from the script just prior to shooting.

Wonder Woman looks (a little) better

How this game is played now:

Step 1: Release prototype/screentest version of something you know fans will nitpick no matter what, let them tear it apart.

Step 2: Shoot actual show with final version, as it will now look "better" no matter what.

Step 3: Cancel poorly-concieved show after half a season anyway because this was still a terrible, terrible idea.

See more at GotCeleb

Warner Bros. Honcho Think "Avengers" Will Be a Hit...

...and THAT little piece of Movie-Executive-to-English translation is really all anyone can reasonably take away from this Hero Complex piece on Warner Bros. honcho Jeff Robinovs vague, non-commital intimations of a "Justice League" movie. In fact, from now on you can use THIS as your "Avengers" indicator-light: If people from Warner Bros. are tossing "JLA" non-news to the fanboy-press, it means the insider-buzz is good for Marvel's big-scale team-up experiment and they're makng ready to hit the ground running on their logical "me-too." If they slip back into the "our characters are bigger, they have to stay seperate" party-line, that means they're thinking "Avengers" is an overreach.


The fact of the matter is, Warner Bros. is in a state of outright PANIC as far as their "tentpole" positioning goes. The annual gaurantee of a "Harry Potter" cash-deluge has been carrying the studio for the last decade - that's an ETERNITY in executive years - comes to an end a few months from now. The year after that, the other cash-cow, Christopher Nolan's "Batman" movies, wraps up with what Nolan's camp has openly called a "definitive" ending. And after that... they've got NOTHING in the way of garaunteed, reliable income.

Robinov and others have been saying for a year now that the plan is for a string of non-Batman DC superhero movies to take Potter's place, but thus far either WB are the best secret-keepers in the studio system (spoiler: they aren't) OR the "we don't know what to do with anyone who isn't Batman" rule remains firmly in place: The buzz on "Green Lantern" has been iffy-to-negative from day one, and the ONLY reason "Superman" is coming together so fast and attracting so much name talent is that Warners is working/spending like MAD to get the thing made before a big chunk of the rights switch over to Siegel & Schuster's estates after the most recent court decision.

The article also mentions "rebooting" Batman after "Dark Knight Rises," which is sort of a given - though one hopes they just mean getting a new actor/director/style and not a full on "let's make the origin story AGAIN" like Sony is doing for Spider-Man.

Don't get me wrong - a JL movie is a fine idea: Far and away the best move WB coluld make, both in terms of their (probable) need for an answer to "Avengers" and also as a kind of proving-ground for future franchises: "People seemed to like runs-fast-man, give him a movie!" I just don't expect them to actually go through with it anytime soon... unless people come out of "Captain America" RAVING about the innevitable "Avengers" tease; in which case it'll have a green light before Sunday's numbers even come in.

The Big Picture: "Captains Courageous"

In which I explain Captain Marvel. Both of him.

Game OverThinker: Episode 49 (NEW!)

Here's what's happening on the other blog:



EXTREMELY pleased with how this came out - the "meat" part in the middle came together pretty cohesively, the improved greenscreen worked out and that whole final "bit" cut together better than I was expecting it to.

How did I miss this?

Trailer for "Future X-Cops," which doesn't seem to be (officially) available on U.S. DVD yet. Evidently, Hong Kong has decided it's time to start kicking our ass at superhero movies...



The director is Wong Jing, who also did an infamous unlicensed "Street Fighter" movie called "Future Cops" back in the 90s. Incredibly, the films seem to share the same basic plot AND star Andy Lau!

Amy Adams is Lois Lane

So says Hero Complex.

Unless director Zack Snyder suddenly decides to his literalist-translation leanings off for this one - i.e. the new "Superman" movie doesn't look like a Superman comic beamed, unfiltered, from page to screen - it would seem Adams is carving out an interesting niche for herself as a living embodiment of female pop-mythology icons (re: The Disney Princess in "Enchanted," the "Iconic" version of Emilia Earhart in "Night at the Museum 2," now this.)

I'm given to point out that this is VERY good casting, ditto the earlier announcements of Kevin Costner and Diane Lane as Johnathan and Martha Kent - though I anxiously await The Internet correcting me on that point given the irrefutable evidence that Zack Snyder is Satan because there wasn't an octopus in "Watchmen" ;)

"13 Assassins"

Takeshi Miike - 'nuff said. Bow your heads, mortals...

Post-Movie Podcast, again

Steve Head and John Black graciously invited me back to the Post-Movie Podcast this week to talk "Sucker Punch," a DVD box-set of Andy Sedaris "classics" and the impending Blu-Ray of "Scarface." SPOILER WARNING for the plot/ending of "Sucker Punch."

Listen to it HERE.

Get the PMP on iTunes HERE.

Somehow, NOT a joke...

"The Three Musketeers" - now featuring all the slo-motion aerial kung-fu, retro-futuristic steampunk flamethrowers/gun-turrets and (what appear to be) Final Fantasy-style airships Dumas surely always intended. In 3D.



Paul W.S. Anderson: The master of making ACTUAL movies that look like fake movies from parodies about how shitty movies are getting.

Escape to the Movies: "Sucker Punch"



Intermission is about dream movies.

I'll say this much for now...

...people really should get out to "Sucker Punch" this weekend.

I can't promise that everyone will "like" it; but it's the first "big" movie of 2011 that's actually worth talking about. It'll be making a lot of lists, stirring a lot of heated discussion, and being used as a baseline comparison A LOT as we head into Summer - so if nothing else you'll want to have an opinion on it.

CAPTAIN AMERICA: Trailer

Shit-ton of work to do. No time for commentary.



I'm not loving the generic techno-thumpy music in this trailer - should be something more... "Greatest Generation-y," I guess. Other than that, fucking awesome. Fucking. AWESOME.

3 quick things

...about the "Eastern vs. Western Game Stories" thing, which apparently everyone finds vastly more fascinating than the rest of the episode...


1.) Good Story is not the same thing as Good Writing. It's entirely plausible that Western game-writers write better screenplays - I wouldn't know, because I can neither read speak Japanese fluently nor read Kanji, and it's unfair to critique writing based on (usually poor) translation. So, yes, I'll take "every gonzo thing we can think of regardless of genre of aesthetic plus maybe somebody is a giant walrus just because" (Japan) over "Tom Clancy but shot like Black Hawk Down - unless it's period, in which case shot like Private Ryan, unless it's medieval in which case copypaste LOTR, unless it's scifi in which case Star Wars" (West.)

2.) With rare exception, I will take "characters who emote too much" over "characters who do not emote at all, or only emote flippantly." Also, I am neither an insecure 13 year-old nor a bitter 90 year-old - thusly, male characters who display quasi "feminine" traits, grow out and/or color their hair are not innately infuriating to me.

3.) Just a thought: If HUNDREDS of people rushing in to "disprove" the opinion in question keep citing as evidence, independently of one another, the SAME five or six titles - two or three of which are from the same company running on a VERY similar story engine... that MIGHT kinda be making the point for me. Just sayin.

Big Picture: "Off The Charts"

"Attack The Block"

Trailer for THE big hit of SXSW - a group of teen-and-younger UK street toughs (and Nick Frost) defending their block (read: housing project) from alien invaders:



Stateside, the film's hype has been almost overshadowed by rumors that distributors are considering dubbing or subtitling it because of the thick English accents. Yes, this again.

Y'ever notice how this ONLY ever comes up with contemporary and/or urban-set British films? I think that's the real issue... whether people realize it or not: It's not so much that most Americans don't "understand" the accents, it's that they don't think of the UK as having an existence outside of cottage country or posh period-dramas. When Joe n' Jane Sixpack hear English accents coming out of these kids - who look just like "our" street kids - or the contemporary gangsters in Guy Ritchie movies, it doesn't "add up" to them: "Wait wait... they've got GHETTOS in England? Holy shit... they've got BLACK PEOPLE, too!!?? When did that happen!!!??"

(UK readers, seriously - "Harry Brown" was THE scariest movie that American middlebrow yuppie-scum saw last year, because they always only thought of your country as a wholly-pleasant, genteel place they might "escape" to if things just get too sketchy here.)

"Zangief Kid" is alright by me

(Warning: Video clip is pretty brutal)

By now people have probably seen this, either in it's original form (after the jump) or in "remixed" form with Street Fighter sound effects. It's been all over the net, turning it's "hero" into an interweb sensation.

Short version: A "stocky" schoolkid in Sydney, Australia who has apparently been a long time victim of bullying, was being verbally and physically assaulted by another classmate... and did something about it. Specifically, he grabbed the bully, hoisted him into the air and smashed him head-first into the ground, "pile-driver" style - amazingly, the bully was apparently not seriously injured. The incident was caught on tape - where it can be seen that the bully was being "cheered on" by several others at the time. Both boys were temporarily suspended, but "Zangief Kid" (nicknamed for an Street Fighter character with a piledriver move) has already become the latest internet nerd-culture folk hero. Onetime victims of similar torment have offered praise; and "Anonymous" has turned it's Sauron-esque gaze upon the school, the bully and his family.



I've been hesitant to jump right in on this one, because you can just FEEL the other shoe waiting to drop... but yeah, I'm sorry - I have NO real problem with this whatsoever. Yes, it'd be nice if bullies and all other problems could be solved without violence. Yes, a piledriver on concrete is possibly a touch too far, YES, "Zangief Kid" and his "fans" are all lucky as HELL that the bully in question wasn't killed - which looks to have been a distinct possibility.

But... yeah, on behalf of bullied kids and especially bullied "fat kids" in the past, present and future... ROCK ON, kid.

And this week's bad turn of luck for Guillermo del Toro is...

New Pet Theory: Guillermo del Toro is "Movie Geek Christ" - the Film Gods allow him and his various passion projects to be repeatedly crucified for the sins of all other projects, so that they might live to see a greenlight.

Today's round of whippings: "Pacific Rim," the Kaiju-tribute giant-monster movie he signed onto when "At The Mountains of Madness" as refused a go-ahead by Universal, is now going to need an extensive rewrite to remove references to destruction in Japan - for obvious reasons. Making things stranger, Legendary Pictures (the producers) are apparently leaning HARD on del Toro to also rewrite the script so that the "main" monster is Godzilla, rather than whatever the original was.

"Rim" started out as a hotly-pursued spec-script in which a portal to another dimension opens up in the ocean and starts spitting-out Godzilla-style giant monsters, which humanity (apparently) resists using giant robot battlesuits. That THAT premise can now be an original spec that becomes a bidding-war blockbuster is kind of wonderful.

The no-more-Japan thing makes total sense... but the Godzilla angle sounds suspiciously phony. Everyone knows that Legendary bought "Rim" at first looking to possibly rewrite it into a Godzilla movie... except they later signed "Monsters" Gareth Edwards to a straightforward Godzilla reboot a few months ago. For this to be true, they'd have to have canceled Edwards' project, or is this more of a crossover/cameo thing?

Either way, not good news - because del Toro's general reaction to studio interference is to just pack up and move on... and it's getting to the point where I'm worried the guy might just up and retire at this point.

Wonder Woman looks like Wonder Woman...

...would look as rendered by a higher-end Cosplayer.


EW (hat tip to Devin) has the first image of Adrianne Pallicki in-costume as Wonder Woman in David E. Kelley's new TV series. Let's call this the ultimate in mixed-bag results: On the one hand, it's somewhat shockingly faithful - there's absolutely no mistaking who this is supposed to be, and while I'm always more fond of the bare-leg look (both because it emphasizes the athleticism of the character and YES, also for more obvious reasons) the blue pants thing is a reasonable compromise for an actress doing a weekly series. Really surprised they kept the heels.

On the OTHER hand... gah! What's with the cheezy reflective-latex look? Again, I like the DESIGN... but ye gods, the material makes it look like she's wearing a WW costume for a Halloween episode of some other show, not "playing" the character. Maybe it looks better under proper lighting?

Actually, I'm wondering if A.) this IS the "real" final outfit, and B.) if, in that case, the cheese-factor is supposed to be the point. The audition tapes had actresses reading from a script where the character referenced her "old" outfit as being less "appropriate" than her current one, and bemoaning that people still considered the old one more "iconic." This pretty-much IS the old one, just with pants. So maybe this is meant for "flashbacks" to the older suit, and the silly-looking material is meant to accenuate how "lame" it was?

Of course... that same script/scene ALSO involved WW being insecure about her breasts not being big enough (really) and based on this image that's just NOT going to be a believable sentiment; so it goes without saying that the script itself has probably undergone post-casting changes.

I'll say this... she looks better than Nu-Spidey does, so far.

Escape to the Movies: "Paul" (UPDATED!)



UPDATED with "Intermission," an interview with Pegg & Frost.

"Boston Movie"

Head's up, trailer-mashup creators... a new standard has been set:


Aronofsky off "Wolverine"

Darren Aronofsky has abruptly dropped out of "The Wolverine," which was supposed to start shooting in a few months, to spend more time with his family - yes, really, the original "diplomatic answer."

Wasn't Fox supposed to be getting LESS impossible to work with on genre projects?

Red Dawn Remake Gets Stupider

This is pretty incredible: MGM is worried that the Red Dawn remake they've had sitting (completed!) on the shelf for 2 years will make China mad at them; so they're going to digitally change ALL the bad guys' "stuff" and just call them North Koreans. Really. They DO realize that Chinese and Korean people are a COMPLETELY different ethnicity, right?

Big Picture: "PC Gaming Is Dead"

PAX East 2011 Wrapup

Short version: It was a BLAST! Long version, after the jump...



BEST PART:
Finally meeting my editor Susan Arendt, the Loading Ready Run crew, Shamus and all the other Escapist peeps in person, plus doing the movie-night panel that went KICKASS.

WORST PART:
Ah, cons - where $5 for a slice of pizza somehow sounds briefly reasonable...

3DS:
For the first half-second of picking it up, my heart-sank: "Oh no... the 3D doesn't work." But once your eyes find "dead center" magic-eye style a half-second later... damn, that's a nifty effect - it really does look like the screen is a "portal" reaching much deeper into the background than possible in your hand, which is freaky as hell at first - and I'll bet it'll be even more impressive when not under harsh convention lightning (i.e. when the screen is the brightest thing in your field of vision.) I'm still not 100% sure if the effect has a practical application outside of looking cool, and I can see myself switching the 3D off for longer sessions, but it works and even absent 3D the graphics/controls are - as expected - terrific.

"FIREFALL"
Hadn't been following development on this, but evidently an online/co-op 3rd-person shooter that looks like "Gears of War" with a stylized, cartoon/comic inspired design aesthetic. They were putting on quite a show.

"MORTAL KOMBAT" REBOOT:
It's "Mortal Kombat 2" gone 2.5D in High-Definition and with tag-team play... and there isn't a DAMN THING wrong with that! They had it set up in oldschool arcade-style cabinets complete with "fighter stick" controls; played a match against a friendly stranger and suddenly it was the tolerable part of the 90s again - sooo satisfying to hear "Finish Him!" again. This thing will be HUGE.

TGO Special Message re: Japanese Earthquake

(UPDATED TO FIX FACTUAL ERROR.) Please consider making a donation to the charity or relief-organization of your choice to aid in the ongoing tragedy in Japan.

The Enemy of My Enemy

As if anyone needed ANOTHER reason to get behind the Detroit Robocop Statue project, here's another: Right-Wing douchebag Warner Todd Huston; one of Andrew Breitbart's professional trolls, is against it.

Donations to detroitneedsrobocop can be made HERE. The statue itself has already been funded, but the group behind the movement has pledged to keep the campaign going until it's original March 26th end date and expand their scope to include other Detroit-oriented charities.

Post-Movie Podcast

(The big "How Did PAX East Go??" post will be coming tomorrow night, probably, when the con itself has wrapped up.)

Steve Head and John Black, a pair of very respected longtime Boston film journalists, run a weekly web show called "The Post-Movie Podcast." This week, to help hash-out "Red Riding Hood" and "Battle: LA," they asked me to sit in and lend a hand. Check it out HERE. This was recorded, literally, an hour before I headed further into town for the first day of PAX East.

ETTM: Red Riding Hood (UPDATED)



UPDATED: Now with Intermission, because there's a limit to what I can do here from a Blackberry.

PAX schedule stuff PLUS "big" announcement

Okay folks, things have been and will be "sparse-ish" in the daytime 'round here for the weekend, as I'll be at PAX East for most of it. I'll probably turn up at the con itself around 4pm or so tommorow (got some business first) and be around for most of the evening after that... Saturday and Sunday? We'll see what happens, but I'm planning to be at as much as possible.

So... since I can't really blog from the con; I've gone and done the unthinkable... and signed up for Twitter. Yes, I'll be tweeting from PAX - follow me @the_moviebob. Let me know in the comments if that hyperlink works or not - Twitter's urls are weird, and I don't know if it "takes" like that. If it doesn't, just look up "the_moviebob" on Twitter itself - the other ones just called "moviebob" AREN'T me.

Minimum Underdrive

The second trailer for "Cars 2"... looks like sub-Dreamworks pablum. As that also handily sums up the first one, I'm not sure why the fact that it's so crummy-looking is being treated as a news-item everywhere else in the blogosphere...



I mean, didn't we all kind of "accept and deal" with this already? "Cars" is the very bottom of the Pixar barrel artistically, but as a merchandising-franchise it's their biggest cash-cow. I could be wrong, but wasn't it a "big deal" awhile back that the Cars-brand had displaced Hotwheels as "the" toy-car line? So... "everything else" is the 'real' Pixar stuff, and "Cars" is the crap they have to make to PAY for the 'real' stuff. I thought we'd been through this already...

Thing is, I kinda feel like there's TWO angles at play here, but only one of them is "open" about itself. On the one hand, dedicated film-geek Pixar afficionados tend to dislike "Cars" because it's such a step down from the rest of the lineup - that's the "open" one.

On the other hand... "Cars" is ALSO the most "different" Pixar movie in terms of it's vibe and frame of reference: The other movies are about monsters, action-figures, superheroes, lost-worlds, robots... stuff film-geeks (generally) love. "Cars," on the other hand, is "about" rural small-town values, Middle-American normalcy and NASCAR culture; all things that "geek culture" to a large-degree actively abhors. Other Pixar movies drop references to Harryhausen and Kurosawa, "Cars" has Larry the Cable Guy as it's co-lead. We (geeks) tend to see Pixar as an "US" outfit, but "Cars" is a "THEM" movie - and that kinda pisses us off, right?

Am I nuts, or is that just a teensy bit of the story here? Not so much, "this is why people think 'Cars' sucked - because it DOES suck - but maybe "this is why people CARE that "Cars" sucks."

Big Picture: "Two Many Busters"

Learn the secret origin of one of 80s animation's biggest "WTF?" conundrums...



ALSO! I've got an article in this week's issue, profiling Hollywood filmmaker turned "Homefront" story-developer John Milius.

Extra Consideration: Controllers

Are "The Inhumans" the next high-concept superhero movie?

Badass sez yes, though the source their quoting I can't make heads nor tails of...

Originally part of the extended "Fantastic Four" family, "The Inhumans" were sort of a dry run at the big-idea cosmic stuff that'd later be such a big part of the Marvel cosmology. They're a whole hidden race of superhumans of various powers and abilities, the result of alien experiments on early humans creating a seperate, super-evolved strain. In a lot of ways they also seem like any early stab at the X-Men - their King is a guy named Black Bolt who never speaks, because his voice is so loud that even a whisper can level a city. My favorite Inhuman is "Lockjaw," a bulldog the size of a small car that can teleport. Really.

This sounds really fishy to me - The Inhumans have never been especially popular, and the pitch is really, really out-there (Badass has an anonymous quote implying that they'd be retooled into something a bit more traditionally-superheroic, which would be a bummer) but you never know. FWIW, their origin is tied to aliens called Kree, who're the nemesis of suspected "Avengers"-heavies The Skrulls.

"Water For Elephants" - Take 2

People who read the book... help me out here:



...is there ANYTHING going on in this that makes it anything other than "Titanic"-but-at-a-Circus? And, if not, am I correct in assuming that that business at the end of this trailer is "The Iceberg?"

Escape to the Movies: "Rango"



Intermission: Quit It.

The Red Skull looks like The Red Skull

Entertainment Weekly has the first full-body view of Hugo Weaving as The Red Skull. As is becoming redundant in the Marvel Studios films, he looks like he just walked off the page... save for the understandable decision to put "HYDRA" insignias where you'd traditionally expect a Swastika or SS logo to go. HYDRA is still a Nazi-affiliate in the movie, of course, but this gets around the thorny problem of selling action figures and Halloween costumes with specific Nazi symbols on them - plus, isn't it illegal to even PUT a Swastika on something in a lot of Europe at this point?

ALSO: Latino Review sez they know who the villain(s) are in "The Avengers" - actual discussion of THAT after the jump, as it may be considered a SPOILER:





So... Latino Review claims to have confirmed the worst-kept secret in the Marvel Movieverse: The Avengers are up against The Skrulls... and that they're there as hired guns for "Thor" heavy Loki. Amusingly, if true this makes the plot the most literal "mashing-up" of the traditional "Avengers" origin -where they initially teamed against Loki - and "The Ultimates" where they fought a (boring as hell) reimagining of The Skrulls.

Skrulls - like a lot of the early Marvel concepts - are basically "comic-ized" versions of 50s pulp-scifi tropes; they're literally an alien race of bug-eyed Little Green Men shape-shifters. They'll almost-assuredly get some form of makeover for the movie, but I'm hoping they fall a little more on the "Star Trek" side than the "ID4" side - it'd be a trip to have The Avengers swatting around a bunch of pointy-earned green guys in purple onesies; especially if you've still got Loki around to be the more serious "big bad." (I wonder if they'll opt to use "Ha! I've actually been a SKRULL all along!" to write any supporting characters out of the various franchises...)

ALSO: Devin says he knows the basic outline of "Dark Knight Rises." If he's right, it mostly gives a big "yes" to most fans' Occam's Razor speculations (i.e. what the most likely plot possible was) and doesn't seem to give away any major twists - at least nothing you couldn't have guessed at. Still, click with caution.

MovieBob WILL be at PAX East 2011

Title kinda says it all. I'll be out and about at PAX East this year, so if you see me feel free to say hello ;)

Can't say at this time exactly what days/times or in what capacity, but I'll be around.

"Detention"

hat-tip: Chud

I was never all that fond of "Scream," detested it's sequels, loathed about 90% of the "modern-slasher" films it inspired and have absolutely no reason to believe that "Scream 4" will be worth anything close to a damn. In other words, I'm the LAST person whose supposed to get excited for a movie that's basically trying to out-Scream "Scream." However, when said film comes from Joseph "I Was Neo-Grindhouse Before It Was Cool" Kahn, director of the marvelously insane "Torque" (seriously, click that link - the ONLY good movie to come out of the post-Fast&Furious "gearhead-douchebag" genre) and looks quite literally like "Scream" + cojones? Alright, you've got my attention. Yes, even with That Guy in it.


Unbeatable

(cross-posted from The Other Blog)

Everything at once maddening yet undeniable about Nintendo's dual-existence as a corporate entity and Colonial Governor of a generation's memories; summarized in a single image:


Giving the keynote at GDC, President Satoru Iwata focused heavily on the upcoming 3DS handheld and dropped the customary not-in-any-way-shocking announcement that a new Mario title was in-production for the system. No screenshots or even title were given, save for the detail that it's being developed by the "Galaxy" team. Oh, and the "Super Mario" logo's shadow... has a familiar-looking TAIL.

And... there you have it. Waaaay more than half of any fans "on the fence" about the 3DS just made up their mind. That's another several-million systems presold, regardless of price or availability. Not because of a feature, or because of a full-lineup, or even because of a tangible game... but because they've vaguely intimated that we might at some point see Tanooki (re: Raccoon) Mario again after a 22 year absence.


THIS is why everyone else whose ever tried to sell a handheld console went bald early.

Facepalm - Writ Large

The next time I hear someone wonder aloud in false-bewilderment, "why does the rest of the civilized world think Americans are stupid?;" THIS will be my go-to answer...

(obligatory warning that remaining body of post may contain politics and/or opinions thereupon.)

A 9 week-old fetus is being called to testify as a witness before the Ohio State Legislature in support of the so-called "Heartbeat Bill," which would outlaw any abortion in the state once a heartbeat is detectable.

To be clear: They aren't speaking in symbolic terms - proponents of the bill, specifically a hardline anti-abortion outfit called "Faith2Action," are going to bring a pregnant woman before the Legislature and project her live ultrasound onto a screen. This is a real thing, happening in 2011.

I'm honestly dumbstruck that this isn't a prank of some kind... it's like something a six year-old would think up as an Earth Day gesture: "Sirs, this my fwend mister squirrel. He wivs in th fowest, and he wants you to pwetty pwease not cut down his house to make the new highway." The next time they hold hearings about a video-game ban, can I have the testimony of my Nintendog or Level-30 Snorlax read into evidence? Note the almost poetic perfection, incidentally, of the fact that they aren't simply asking the pregnant woman to speak, eh?

Meanwhile, for the sake of contrast, here's what "politics of abortion news" looks like in a grownup country, specifically The UK: The Royal College of Obstetricians and Gynaecologists has issued new guidelines for doctors, nurses and counselors of pregnant women considering termination - it is now official policy to inform said women that abortion is generally safer than continuing a pregnancy to term, and that the majority of women do not suffer any psychological harm.

For my international readers, please understand - even though the UK story can be accurately summarized as "doctor's reminded to tell the truth," the likelihood of any similar agency even considering using that same language is next to nil. That's how far behind we are - truth, along with science and facts, are "controversial" in that they offend the sensibilities of those who choose to ignore them.

And people wonder why I'm a pessimist?

Big Picture: "Groan Saga"

 
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