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Ultimate Spider-Man: The Movie

Good Spider-Man Movies: 2001-2010. RIP.

The question of whether or not the movie industry would have an earth-shaking, massive angry-talent/angry-studio story of the year to match Leno vs. Conan vs. NBC has been answered. Deadline Hollywood is reporting - and Sony is confirming - that the difficulties surrounding "Spider-Man 4" (read: Sam Raimi won't budge on using the characters/plot he wants to) have led to a major shakeup: Raimi is gone, along with the ENTIRE cast and continuity of the series up to this point: http://www.deadline.com/hollywood/urgent-spider-man-4-scrapped-as-is-raimi-and-cast-out-franchise-reboot-planned/?utm_source=twitterfeed&utm_medium=twitter

It's over. The series is done.

Sony's plan - detailed enough for anyone to conclude that this is what they ultimately wanted for a long time now - is to RE-START the whole thing. Peter Parker back in high-school, "Ultimate Marvel"-style. New go-round of the origin, newer, younger actors in the roles.

A re-boot. Of a franchise that isn't even a decade old. The last installment of which broke $300 Million US. This the "nightmare scenario" everyone was worried about when the remake/reboot thing went started to get out of control.

The only positive to come out of this is a creatively-freed Sam Raimi. Everything else... WOW, this is going to suck. The whole history of this series has been Raimi and his people holding fast against bad ideas from the studio. Can you IMAGINE what a "hip young teenaged" Spider-Man is going to look like with only Sony and whatever jobber filmmaker donates his body to this in charge? The mind reels at whom they might cast - remember, before Raimi stepped in Freddie Prinze Jr. was going to get the part. And you can probably bet good money that Venom will turn up right away... and probably Carnage, too, along with every other worthless fucking 90s Spidey villain that still moves a fucking t-shirt.

secret shame

Okay, quick show of hands:

How many of you, besides me, are guilty of FULLY RECOGNIZING that "Ctrl Alt Del" sucks... but can't stop reading the fucking thing? It's as though it's devolved into something like the ultimate, last-word parody of masturbatory, self-aggrandizing, soap-operatic webcomics... except it doesn't know that it's a parody. It's "The Room" of webcomics.

Art Clokey: 1921 - 2010

TV Animation pioneer Art Clokey is dead at 89. A claymation filmmaker, he was best known for creating "Gumby" and "Davey & Goliath."



He was going to be a priest, but fell in love instead. He and his wife developed a passion for filmmaking, and he earned attention for an abstract claymation short called "Gumbasia."



"Gumbasia" led to a contract to do "Gumby" on TV, first in shorts for "Howdy Doody" and then as it's own series (two of them, in fact) that were staples of kids TV for decades. In between them, he did "Davey & Goliath" under contract to the Lutheran Church of America.

He re-emerged in the 1990s to independently-produce "Gumby: The Movie," which is a very special kind of amazing if you can find it these days.



For a fellow with seemingly few "official" credits to his name, his impact on culture was massive: Everyone knows Gumby, or at least nearly everyone. "Mystery Science Theater 3000" even riffed on a Gumby short once - a kind of pop-culture double-team - and "Davey" of course inspired "Moral Orel," which started out shaky but came to a close as one of the most psychologically-searing animated shows ever to run in the U.S. (If there's a darker turn for a "comedy" show than "Nature," I've never seen it.)

Escape to the Movies: "Daybreakers"



"Intermission" this week is about "Avatar" and the political stuff it's managed to stir up:
http://www.escapistmagazine.com/articles/view/columns/moviebob/6985-Blue-Skin-State

Clash of the Titans score

Apparently everyone but me HATED the heavy(ish) metal music in the trailer for the "Clash of The Titans" trailer; in which case that same everyone is about to be very, very angry...

According to Chud the film may forgoe a "traditional" singular-composer score in favor of a score by rock band Muse:
http://chud.com/articles/articles/22069/1/CLASH-OF-THE-TITANS-HAS-FOUND-ITS-MUSE/Page1.html

This is how out of the loop I am on popular music: Is Muse still "cool," or has the Stephanie Meyer connection killed it for them? Whatever, I like their stuff for the most part. They aren't precisely "metal," closer to a self-parody riff on a kind of Radiohead/early-Queen fusion, but they're "bigger" material trends close to "symphonic metal" like Symphony X.

For what it's worth, I'm MASSIVELY in favor of this... ANYTHING to avoid another tired variation on the "Gladiator" score for this genre. The "Clash" remake looks to be eschewing the traditional Greek mythology visual tropes for something closer to Frazetta-type "high fantasy" pulp-art, which has ALWAYS mixed tremendously well with metal/symphonic-hard-rock. If this goes through, watching this flick is gonna feel like a Man-o-War album cover come to life; and that's a damn good feel as far as I'm concerned.

Interviewed

A little while back, I sat down to be interviewed by Ryan McAskill, aka "The Boston Comedy Examiner," who has now published said interview as part of his podcast.

Check it out here: http://www.examiner.com/examiner/x-8746-Boston-Comedy-Examiner~y2010m1d6-Podcast-MovieBobThe-Game-Overthinker

Escape to the Movies: "Heavy Metal"

Happy new stuff.

NOTHING came out this week worth doing a show about, so "The Escapist" put me on-assignment to do a flashback-ish thing for "Heavy Metal."

I think it turned out pretty good:


http://www.escapistmagazine.com/videos/view/escape-to-the-movies/1361-Heavy-Metal

And, as usual, here's the INTERMISSION column, this week titled "Decade of The Nerd." It's a look-back-at-the-decade thing, because you all know how much I like doing stuff that no one else in media is doing at the same time:
http://www.escapistmagazine.com/articles/view/columns/moviebob/6967-Decade-of-the-Nerd
 
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